The AI sets every clip on its own. You open the editor when you want to fix one detail: the framing, the colors, the background, the hook, the subtitles, the music, your brand. Everything shows live, and the render is back in one to two minutes.
A framing that is off, a word transcribed wrong, washed-out colors. In an editing app, every fix sends you back to the timeline, then to the export, then to a fresh upload. So the clip goes out as it is, or it never goes out.
Every clip shows its edit window: 14 days on Free, 30 on Creator, 90 on Pro, 180 on Elite.
Four settings that make a StreamClipping clip recognizable at first glance. All the others follow below.
The green screen, without a green screen. The AI cuts out the person on screen: keep the room, blur it, turn it into a solid color, or replace it with an image, a GIF or a video. And your stickers can slide behind you.
Shouted or stressed words animate harder than the rest, following the sound and the meaning. You pick the variation and the intensity, or you let Magic decide.
The top line isn’t plain text: it’s a card with a material. Glow, glass, sticker, neon, extrude, gradient. And, from Creator, a keyword that grows and switches color.
An AI camera operator that frames every clip on its own, on every plan. One person? Stays centered. Several? Whoever is talking goes big. Shot on a phone? Full screen. With Elite, the camera also moves: it follows the face.
Scroll: every setting lands on the clip, exactly where it will show. The names are the real editor’s.
Bad framing? Pick a layout in one click and regenerate that clip alone. The scene changes mid-clip? Cut it into shots, and each shot keeps its own frame.
A stream often comes out washed out or too blue. Pick a look and its intensity: it applies to the whole image, before the hook and the subtitles. The preview shows the real render curve.
The text at the top. Its font, its material, its color, its keyword that grows. The AI suggests six hooks, you keep the one that sounds like you.
100+ complete looks, 22 animations, reactive text that follows the sound, and emojis that move. Fix a sentence? The timings stay those of the transcript.
When the peak comes late, the engine plays it first, cuts back to the start with a transition and a sound, trims the dead air and places the lines where people drop off. Every option can be set to Auto, Yes or No. Included on your Magic clips, everywhere from Creator.
500+ sound effects sorted by family, a music library and Jamendo, fade in and out, ducking under the voice. You can mute the original sound and keep yours.
You drop them on the clip and choose the moment they appear. Each one sits in front of you or, from Pro, behind you.
The AI cuts out the person on screen, full frame or inside your cam tile. Behind them, you put whatever you want. The preview starts right away in your browser, then the precise cutout comes from our GPUs.
Logo, handle, shape, colors: set it once in Settings, it applies everywhere. On a clip, drag it where you want, or switch it off.
The description for TikTok, Reels and Shorts. The AI writes three versions, you click the one you like or write your own.
A mix of popular and niche beats thirty generic tags. You add, you remove, they ship with the post.
The virality score and how to read it: scenes, emotions, peaks. You understand why this clip is here before touching it.
The AI clones your voice and creates a new version of the clip in the chosen language. Subtitles realigned word for word, background audio preserved.
No. The AI sets everything and every setting shows live on the clip. You click, it changes, you save.
No. Only that clip goes back to render, in the background, one to two minutes. The other clips don’t move. Every plan includes re-renders each month: 3 on Free, 30 on Creator, 100 on Pro, 150 and more on Elite. A clip’s first render doesn’t use one.
Every clip shows its edit window in the editor: 14 days on Free, 30 on Creator, 90 on Pro, 180 on Elite. After that, the render can’t be relaunched. Title, caption and hashtags stay editable.
An import arrives with its metadata only. Turn on full editing: the AI transcribes the clip once and every setting appears. It costs one to three minutes of your quota, once. An import can be up to 1 GB and 2 minutes 30 seconds long.
No. You design it once in Settings, Branding. On each clip you can move it or switch it off. It requires the Pro plan.
9:16 clips, with you full frame or in a cam + game split: the cutout then happens inside your cam tile. An imported clip qualifies once full editing is on. A clip rendered before the feature shipped often qualifies as is; otherwise the editor offers to re-render it once with the background. Not yet 16:9, multi-shot clips, picture-in-picture or face grids. It takes the Pro plan, Elite trial included: up to 300 cutouts a month, 3 minutes of clip max each. The preview starts right away in your browser, and the precise cutout needs 30 to 60 seconds of compute, a bit more when our GPUs are busy.
Yes, with the Color card in the Framing tab: six looks, an intensity and a sharpness setting. The look applies to the whole image, before the hook and the subtitles, and the preview shows the real render curve. Sharpness is the one setting you only see in the final render. It’s included on every plan.
Manual framing, shot by shot included, the colors, the hook and its material, basic subtitles, the retention structure and line on your Magic clips, caption and hashtags written by hand. Animations, reactive packs and animated emojis, hook motion, audio, stickers, AI analysis, AI suggestions and dubbing come with Creator. The brand badge, the reactive camera and the background cutout with Pro. The Smart Camera movement that follows the face with Elite.
Seven days of Elite free, 1 hour of video a day, no credit card. Your first clips arrive while you do something else, the editor is already inside.
