Fais connaître Joseph, L'Opéra des Rêves

SCARLXRD's track SXLD MY SXUL is your source material for vertical edits. You'll need to pair it with footage drawn from fight sequences, comeback narratives, horror films, anime, extreme sports, bodycam recordings, surveillance footage, or night-driving scenes. The challenge is deciding which visual category suits the supplied sound and how to build momentum across your cut. You must use the official platform audio and adhere to the campaign's technical requirements.

Echo and the Bunnymen's track gives you room to work across several edit styles: you might build something cinematic, pull from television or film, or construct a thematic piece. Your job is to find the moment where the song's emotional weight lands hardest, then sync it tightly enough that the hook catches attention within the opening seconds. You can submit multiple variations across platforms, so consider how the same track might speak through different visual languages.

Sarah Lola makes music, and this campaign gives you her track to build edits around a specific narrative: one person serving as a stand-in until someone they care about moves on to their actual choice. You're looking for scenes that capture that emotional arc, where you can show the before and after of realizing you were never the intended destination. The challenge is finding footage with enough emotional weight and clear visual progression to tell that story convincingly, then cutting it so the song and the storyline reinforce each other.

Zoe Gabrielle's new release calls for you to build edits around the artist herself rather than treating the song as the anchor. You'll be pulling material from her social feeds and deciding how to frame her presence alongside the track, choosing which moments to foreground and which to hold back. The challenge is balancing the music with footage of Gabrielle in ways that let both elements breathe together on screen.

Nic D's track 'Slow Down Fast' invites you to find moments that resonate with its emotional register. You might pair it with scenes from film or television, intimate life passages, or family narratives where the song's mood feels like it belongs. The challenge is to sync it tightly and catch attention early. You decide what kind of scene serves the song, and whether you can make that pairing convincing enough to hold a viewer's interest from the opening beat.

Bryann makes music shaped for culture-driven edits, and you need to decide what visual material matches it. You could layer his sound over classic Nigerian film, anime sequences, sports moments, or clips of streamers and public figures whose appeal centres on the same geography. The edit itself is where your choice matters: you are syncing cuts to the music's rhythm and building something designed to spread across social platforms. Consider what imagery will feel inevitable when paired with this particular artist's production.